Why do we tend to use 8.5-inch by 11-inch paper? How did a dollar bill come to exist in its present size? What determined the choice of musical notes that created a chord? Why are the logarithms in the growth stages of a peacock’s tail the same as those in a daisy? What makes some spaces inviting and other stressful? Why are some things just plain easier to learn than others?
We are surrounded by the above phenomena daily, yet it’s usually children that stop to ask such questions. Why? Perhaps the answer lies in the fact that these phenomena feel so natural, so organic to us that they become transparent. What is it about a thing that allows it to become more transparent than another? Attempting answers to many of these questions is the subject of György Doczi’s book, The Power of Limits: Proportional Harmonies in Nature, Art and Architecture.








