Censorship
The Electronic Frontier Foundation (EFF) has filed an amicus brief (.pdf; 123KB) in the case of two domain names seized by the US government in a flawed anti-infringement action on behalf of the entertainment cartel. “This misguided intellectual property enforcement effort is causing serious collateral damage to free speech rights,” said Corynne McSherry, EFF intellectual property director. “These domain seizures should cease unless and until the government can fix the First Amendment flaws inherent in the program.”
ESRD
Just when the dialysis providers in the US are no longer allowed to bill for Epogen separately, the US Food and Drug Administration (FDA) announces that there are “no risk-free doses of Epogen, Aranesp, and Procrit.” These drugs are used to treat severe anemia in kidney failure, cancer, and other patients. As I’ve written, repeatedly, I cannot function when my hemoglobin falls below 11 g/dL and I’m feeling pretty craptastic when it falls below 11.5 g/dL. As everyone and their brother, including Gardiner Harris, writing for the New York Times, continually likes to point out, these drugs are expensive; they’ve cost the US government more than US$60 billion since 1989. In my experience of more than 11 years on dialysis, I’ve never been over-prescribed Epogen. I don’t doubt that over-prescription happens—I know it happens; I’ve written about it extensively here—money is involved, so the question is self-answered. What I’m saying is, it’s never happened to me.
Intellectual property
Glenn Fleishman, writing for the Economist, has a remarkable overview of sound recording copyright in the US. “A quirk of the federal copyright law with regard to recordings means that nearly all music, spoken word, and other aural treats produced before the early 1970s are currently protected until the second half of the 21st century,” writes Fleishman. This is a result of two sets of rights for audio recordings; one for the underlying work, and another for reproduction and distribution. This second set of rights is governed by state, not federal, law. In most cases for recordings made before 1972, the rights are perpetual and whoever has physical possession of the masters owns the reproduction rights.
A US federal appeals court has ruled (.pdf; 184KB) to mostly overturn the hot news doctrine recognized by the US Supreme Court in 1918, ruling that a website is within its rights to publish the recommendations of stock analysts in near-real-time. “... a firm’s ability to make news—by issuing a recommendation that is likely to affect the market price of a security—does not give rise to a right for it to control who breaks that news and how,” wrote the judges in their ruling. Joe Mullin, writing for PaidContent, notes that corporate news organizations supported the decision on the grounds that the court didn’t do as Google and Twitter asked, and eliminate the hot news doctrine completely.
Just when you thought the Righthaven case couldn’t get any weirder, it does. US District Judge Philip Pro ruled (.pdf; 373KB) this week that an unauthorized publication of an entire article was allowable under the fair use exception to US copyright law. The copyright infringement lawsuit was brought by Righthaven on behalf of its partner, Stephens Media, against Wayne Hoehn who posted an entire Las Vegas Review-Journal editorial on a website of which he was not an employee. “Righthaven did not present any evidence that the market for the work was harmed by Hoehn’s noncommercial use for the 40 days it appeared on the website. Accordingly, there is no genuine issue of material fact that Hoehn’s use of the work was fair and summary judgment is appropriate,” wrote Pro in his ruling. Pro went on to cite Hoehn’s noncommercial use of the work and found that Righthaven, once again, did not have legal standing to bring the lawsuit.
In yet another illustration of how the US copyright system has jumped the tracks, Andy Baio was threatened with an infringement lawsuit over the cover art for Kind of Bloop, an eight-bit “chiptune” tribute to Miles Davis’s most incredible Kind of Blue. Baio licensed all the music and figured he was in the clear—via the fair use exception to US copyright law—for his cover art which itself was a tribute to Jay Maisel’s iconic photograph of Miles Davis. Maisel wanted US$150,000 for each infringement, attorney’s fees, all of Baio’s profits, and a US$25,000 Digital Millennium Copyright Act (DMCA) violation cherry on top. After seven months, the parties settled and Baio paid Maisel US$32,500. Baio has documented the ordeal and his reasoning in “Kind of Screwed.” Highly recommended.
AT&T, Comcast, and Verizon are preparing to join the entertainment cartel’s antipiracy fight in the US. So reports Greg Sandoval, writing for CNET. Sandoval writes that under the plan, the top three US internet service providers (ISPs) “would adopt a ‘graduated response’” for alleged infringers. “ISPs would first issue written warnings, called Copyright Alerts, to customers accused by content creators of downloading materials illegally via peer-to-peer sites. Should a subscriber fail to heed the warning, an ISP could choose to send numerous follow-up notices. The plan, however, requires ISPs to eventually take more serious action.” The more serious action proposed by the cartel includes throttled bandwidth, access limitations, mandatory re-education participation, and seemingly everything and anything else shy of outright banishment. Even the rumor of this should be sufficient for consensus that internet service providers be regulated under current common carrier law.